After more than 15 years in the tattoo business in Lille, Bruxelles and Paris, Yann moved to Montreal in january 2008 where he started working with his good friend Oliver. Yann’s style can’t be mistaken as he uses a lot of black and states that the tattoo is in accordance with the body and the skin is an absolute canvas for creation. A short glimpse at his work makes you think at the legendary Tim Burton and because of his influences the work of Yann Black make for some very original designs. For more photos, check the gallery below. Yann Black Location: 4411 Notre-Dame Ouest (Métro Place St-Henri), Montreal, QC H4C 1S2 MONTREAL QUEBEC Email   : yannou666@hotmail.com Phone tel : (514) 656-0699 Website           http://www.yourmeatismine.com/ #tattooartist #YANNBLACK

Scripture Berlin, Germany Bookings via Mail: booking@transparentplatform.com Follow Georgios Kazakis on Instagram

Tattooer. Lyon, France. @vivadolor booking is closed Pro-team @eclipse.tattooink legrandnullepart.bigcartel.com Follow Yoan Delastre on Instagram

Daniel Arsham is a contemporary artist based in New York City. @arshamliving @carsham.jpg @snarkitecture Info@danielarsham.com www.danielarsham.com/shop Follow Daniel Arsham on Instagram

restless.______ Artist Graffiti, Tattoo, Murals and Sculptures. Lisbon, Portugal. restftp.bigcartel.com Follow RESTLESS on Instagram

@newtattoo_demi PopColor Creator ProTeam INX DIVISION @kwadron WeChat: demiink Follow DEMI LIU on Instagram

❌ TURBO - HOOD the Game is OUT ❌ no tattoos here , SHOP MERCH 👇🏼👇🏼👇🏼 mashkow.store Follow RESTLESS on Instagram

ABSTRACT TATTOO BRUSSELS Brussels • Paris "i do cover ups, freehand and commissions love to fix your self esteem w tattoo" FOR TATTOO BOOKING DM OR EMAIL Follow GARONSE on Instagram

Richie Culver (born Hull) is a multidisciplinary artist working in painting, music, performance and photography. He graduated from the Royal Collage of Art in 2023 on the MA painting programme. https://2023.rca.ac.uk/students/richie-culver/   @richieculver info@richie-culver.com www.quiethusband. Culver’s practice is becoming increasingly difficult to pin down. The myriad of processes employed by the artist seem to act in criticism of one another, providing layers of discourse - a heavy, schizophrenic internal monologue concerned only with the eternal deconstruction of itself.  Discovering Art (with a capital ‘A’) after stumbling across a copy of Nan Goldin’s The Ballad of Sexual Dependency at an afterparty, Culver found that he understood the images. In the haze of skunk smoke, twisting conversation and creeping anxiety of the early morning there came a convalescence - Throbbing Gristle through a broken speaker talked in the same tongues as Goldin’s arresting photographs, situation as curator, jittering atmosphere provides the context.  Often when described as having a multidisciplinary approach, artists often utilise different mediums as a means of approaching the same concern. A sculpture of a painting, a performance to activate the space, a book of everything to take home with you.  Unique to Culver’s practice is the antagonistic relationship that each process seems to have both with itself and the other methodologies existing within the miasma. Paintings seemingly designed with the express purpose of undermining painting elbow their way into the foreground, developing in layers against their will until brushing up against the edge of formalism: The swagger and sardonicism of the text giving way, submitting to its role as a formal device. In spite of themselves, they continue to exist - paintings in denial of painting.  Aesthetically, the paintings employ devices found in the work of artists like Kippenberger or Meese whilst equally echoing the process driven approach of Christopher Wool or Wade Guyton - albeit with the artist’s gesture acting in place of printer and stencil.  For all of their pomp and ardour, Culver’s paintings provide inroads both to viewers enamoured by their self-deprecation and mockery of art-world tropes as well as those taken in by their clear and coherent relationship to the history of painting. Formally, the works are becoming increasingly aware of how they perform as paintings, with areas being reworked or removed entirely seemingly with the aim of creating a compositional harmony, or employing the rejection of one as an intentional device. Forever at odds with themselves, Culver’s paintings are cannibalistic, with particular phrases, shapes or styles piling on one another until they reach their point of expiration. Meaning isn’t derived, it’s squeezed until the fruit is dry.  The artist’s prolific sonic output exists in another field, taking influence from outsider music, experimental synthesis and Power Electronics to produce a body of work typified by stark use of minimal sampling and synthesis chewing on the often-modulated chunks of spoken word. His 2024 release Hostile Environments provides the output closest to music, employing use of ambient atmospherics and cut up melody as a backing to the increasingly effect-driven spoken word and sampling.  Performing live in a variety of settings, from squats and basement bars to Berlin Atonal or Camden Arts Centre, Culver takes the stage with a sort of ambivalence to his surroundings. Nowhere is ever perfect because it could be somewhere else, certainty is an enemy when you make a friend of clouded memory, undulating sense of self and the endless need to move and reasses.  Richie Culver (b. 1979, Hull) is a Multidisciplinary Artist based in London. His work transcends medium, treating material as a critical framework for broader discussion around themes of Labour, Identity and Mental Illness. He has exhibited nationally and internationally, including and earned his MA in Painting from the Royal College of Art in 2023. Text by Allan Gardner Follow Richie Culver on Instagram

Frankfurt / Germany Case Maclaim, also known as Andreas von Chrzanowski, is one of the founding members of the renowned Ma’Claim Crew. His photorealist works embrace the power of movement through the depiction of hands. Many hands. His work is featured in the URBAN NATION 2018 exhibition, ‘UN-DERSTAND The Power of Art as a Social Architect’. […] #CaseMaClaim #mural #ArtBasel14 #streetart #GRAFFITI

PIETRO SEDDA Milan, Italy BLUEROOM MILANO - Viale L.Majno 17a CABRAS - Via Lamarmora 9 ( Sardinia) Instagram  @pietrosedda Email:  pietro@pietrosedda.com #PIETROSEDDA #tattooartist

Alexandre Farto , aka VHILS , is a street artist from Portugal . Having studied at the University of the Arts in London, Central Saint Martins, and Byam Shaw Fine Art Skills and Practices,  VHILS  carves human portraits into the walls of the city in order to tell the story of its inhabitants. His carving technique has been greeted as one of the most fascinating approaches to art created in the streets in the last decade. His technique is rather intriguing. VHILS  uses destruction as a creative force. He uses collage, wheat paste, wood, metal, installations, and more. He is also known for using etching acid, bleach, pneumatic drills, and other processes. This Fall, the artist will come  for the first time in Romania for three new murals made in the aesthetics of the vandalism, as he calls it. Bucharest , Cluj x Timisoara , be prepared for something great! Spread the word and share with us the photos you’ll be taking of those beautiful art works that will transform your cities. #Vhils #Romania #ClujNapoca #Timisoara #Bucharest #streetart #AlexandreFarto